Gregory Oakes
单簧管
Professor of Clarinet, Iowa State University and Principal Clarinet, Des Moines Symphony Orchestra
Gregory Oakes is an exciting and energetic clarinetist and a passionate champion of the music of our time. From his Carnegie Hall debut with members of Ensemble Intercontemporain and Pierre Boulez to his performances as a member of the Colorado Symphony Orchestra, Mr. Oakes has been praised by critics for his “outstanding performance” (New York Times) and “jazzy flourishes” (Denver Post). American Record Guide says “Oakes is the rare player who has both excellent classical training and a mastery of the otherworldly procedures demanded by non-traditional repertoire,” and Fanfare Magazine lauds the “formidable technical armamentarium at his command.”
A flexible and versatile musician, Mr. Oakes has performed with notable musicians in prestigious venues around the world. He has been a concerto soloist with the Colorado Symphony Orchestra and the Denver Brass, performed with Grammy® Award-winner Terence Blanchard at the Telluride Jazz Festival, and appeared at the Chicago Arts Club. His recordings have been released on Bridge, Centaur, CRI, Gothic, Karnatic Lab Records, and Naxos and broadcast on National Public Radio. His recent CD, Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann, appears on the New Focus Recordings label.
As a soloist, Mr. Oakes has performed at multiple International Clarinet Association ClarinetFests, the University of Oklahoma Clarinet Symposium, the New Music Gathering, the International Computer Music Conference, the Crested Butte Chamber Music Festival, Boulder’s Modern Music Festival (M2F), and the Pendulum New Music Series. An international artist, Mr. Oakes has performed frequently in the Netherlands at Amsterdam’s venerable new music hall De IJsbreker, Gaudeamus Music Week, Concerten Tot en Met, the Karnatic Lab concert series, De Badcuyp, STEIM, and Utrecht’s Theatre Kikker. He has been a featured soloist at the prestigious MaerzMusik festival in Berlin. He has also toured Brazil—performing in Brasília, Rio de Janeiro, and Campinas—and conducted masterclasses at notable Brazilian universities UnB, UNIRIO, and UNICAMP. He was in residence as a guest artist at the MUPA Festival of Contemporary Music in Bangsaen, Thailand. In the summer, Mr. Oakes is on the faculty of The Cortona Sessions festival for new music in Tuscany, Italy.
Mr. Oakes has been a member of several orchestras including the Colorado Symphony Orchestra, Mississippi Symphony Orchestra, Colorado Ballet, Central City Opera, and the Colorado Music Festival. He is currently the principal clarinet of the Des Moines Symphony Orchestra. He is also an active chamber musician. As a founding member of the new music and creative arts ensemble Non Sequitur, he has been in residence at Princeton University, Harvard University, Dartmouth College, and the Aspen Music Festival. Oakes has also performed as a member of the woodwind quintet Category 5 and the award-winning clarinet quartet Ensemble Syzygy.
Mr. Oakes holds a bachelor’s degree from Michigan State University, a master’s degree from DePaul University, and a doctorate from the University of Colorado. His teachers include Bil Jackson, Elsa Ludewig-Verdehr, and John Bruce Yeh. He has been honored as an Aspen Music Festival Fellow, a Tanglewood Music Festival Fellow, and a Fulbright Scholar Finalist. Mr. Oakes has presented masterclasses at numerous institutions including the University of Michigan, University of California Berkeley, Peabody Conservatory, the Amsterdam Conservatory, and the Aspen Music Festival. He has previously taught at the University of Southern Mississippi (Hattiesburg, MS) and Bemidji State University (Bemidji, MN). Mr. Oakes is on the faculty of Iowa State University (Ames, IA).
Gregory Oakes is a Buffet Crampon and a Vandoren Performing Artist.
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Discography
Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann
Clarinetist Gregory Oakes releases a recording of the complete chamber works for clarinet by eminent German composer Helmut Lachenmann, the first including all three pieces together on the same release. Of particular interest is the virtuosic performance by Oakes and his colleagues of the seldom heard "Trio Fluido" for clarinet, viola, and percussion.
New Focus Recordings
Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann
new dialects
Some avant-garde performers delve into their genre to downplay a lack of fundamentals, but Oakes is the rare player who has both excellent classical training and a mastery of the otherworldly procedures demanded by non-traditional repertoire. He boasts a clear sounds, clean fingers, wide dynamic range, and a deep understanding of the simple yet expressive folk idioms behind the notes. He meets all the technical and artistic challenges of more traditional repertoire like the Sierra, where the composer leaves no room to hide, and easily transcends the obstacles laid out in the scores by Mandat, Ueno, McGowan, Yi, and Felder, employing extreme volume, pitch bending, flutter-tonguing, key-slapping, foot-stomping, circular breathing, and eye-popping multiphonics with seemingly little effort. His low register in the Mayer is more reedy than in the rest of the program, but that may be an attempt to give a more “earthy” sound to the piece. If so, it works. -Fanfare
Centaur
new dialects